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Ohmic Audio

Target Curve

Canonical Definition

A target curve is a defined reference response used to compare, design, or equalize a measured system under stated conditions such as microphone position, smoothing, seating goal, level, channel, and bandwidth.

A target has context.

Copying a few dB values without the measurement method, seating goal, level, and system limits does not reproduce the original target.

Four Different Traces

TraceMeaning
Measured responseWhat the system produced under the stated measurement conditions
Base targetThe reference response associated with the speaker or channel type and bandwidth
House curveA preference offset added to the base target, often including low-frequency rise or high-frequency fall
Filter responseThe gain-versus-frequency shape created by the EQ filters themselves

The filter response should not be mistaken for the final acoustic response, and the measured trace should not be judged without knowing its target and measurement method.

There Is No One Universal Automotive Curve

Many listeners prefer elevated low-frequency energy and a gently falling high-frequency trend at the listening position, but the useful amount and shape depend on:

A named curve can be a useful starting reference. It should not be presented as the only correct response for every vehicle.

Target Level Matters

If the target is placed too high or too low, automatic EQ may use filters to correct what is actually a channel-level mismatch. Set overall level with gain or trim, then use EQ for response shape.

A practical target level is normally chosen from a stable response region that does not require excessive broad boost or cut. Document how it was selected.

Match Range And Natural Limits

Define the frequency span over which EQ is allowed to chase the target. Avoid forcing filters:

A target curve does not create output capability.

Broad low-frequency boost can consume amplifier voltage, DSP headroom, excursion, and thermal margin very quickly.

Smoothing And Position

The same raw measurement can look very different under 1/3-octave, 1/12-octave, variable, psychoacoustic, or unsmoothed display. Record the smoothing used for target matching.

Likewise, a single ear-position measurement and a multi-position average answer different questions. A narrow single-seat target may optimize precision at one point; a spatial average sacrifices some local perfection for broader consistency.

Build A Defensible Target

  1. Define the listening positions and expected playback level.
  2. Measure each driver and the integrated system after crossover and timing work.
  3. Choose low- and high-frequency limits from safe capability.
  4. Set a target level from a stable response region.
  5. Add a low-frequency rise or high-frequency trend only as a documented preference or system goal.
  6. Choose smoothing and a match range appropriate to the measurement.
  7. Limit automatic filters and boost.
  8. Re-measure and listen at the intended level and positions.

Target-Curve Record

Vehicle / system:
Primary seat or positions:
Measurement method:
Microphone location:
Smoothing:
Target level reference:
LF limit and reason:
HF limit and reason:
Low-frequency rise:
High-frequency trend:
Match range:
Maximum individual boost:
Maximum combined boost:
Listening level:
Date / preset:

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