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Ohmic Audio

Equalization

Canonical Definition

Equalization is intentional frequency-dependent gain shaping used to move a system response toward a defined target within the limits of headroom, driver capability, spatial consistency, and the underlying acoustic cause.

EQ changes the response; it does not automatically fix the cause.

Routing, polarity, delay, crossover, directivity, placement, distortion, rattles, and deep interference nulls must be diagnosed before filter count becomes the strategy.

Classify The Problem First

Measured featurePossible actionRequired caution
Broad tonal tiltShelf filter or broad low-Q correctionCheck target level, channel balance, and driver range first
Repeatable resonance peakMeasured peaking cut or notchMatch frequency and width; confirm decay and nearby positions
Stable broad deficiency within safe bandwidthLimited boost may be justifiedAccount for headroom, power, excursion, and distortion
Deep narrow position-dependent dipUsually fix geometry, phase, delay, crossover, or source contributionDo not assume boost can fill an interference null
Natural driver rolloffRespect it, reshape it, or change the crossover / driverDo not force unsafe extension to match a line
Level mismatchChannel gain or trimEQ is not the correct substitute for overall level

Cuts And Boosts Are Tools, Not Moral Categories

“Always cut, never boost” is a useful beginner warning against wasting headroom, but it is not a complete engineering rule.

There is no universal 6 dB maximum boost. The acceptable amount depends on the available margin and the cause, bandwidth, Q, driver, amplifier, listening level, and target.

Headroom Cost Of Boost

BoostVoltage multiplierTheoretical power multiplier at the same impedance
+3 dB1.41×2.0×
+6 dB2.00×4.0×
+10 dB3.16×10.0×

The system may clip, limit, compress, or run out of excursion before those theoretical demands are met. Recheck the full gain structure after meaningful positive filters or shelves.

Measurement Workflow

  1. Correct routing, polarity, gain structure, crossovers, timing, and obvious hardware faults.
  2. Define the target curve, match range, microphone positions, smoothing, and seating goal.
  3. Measure individual drivers and crossover sums before full-system EQ.
  4. Classify each feature: level, peak, broad trend, rolloff, cancellation, directivity, or noise.
  5. Apply a small group of purposeful filters.
  6. Predict the result, but then re-measure the real system.
  7. Compare nearby positions before retaining narrow high-frequency correction.
  8. Check headroom, distortion, excursion, and final listening balance.

Automatic EQ Is An Assistant

Automatic filter generation can match a measured trace toward a target, but the software does not automatically know:

Limit the match range and boost, preserve manual filters when necessary, and verify predicted changes in both frequency and time domains.

What EQ Does Not Reliably Fix

Documentation Standard

For every retained filter, record:

Channel / driver:
Filter type:
Frequency:
Gain:
Q or bandwidth:
Measured cause:
Target or purpose:
Positions checked:
Headroom impact:
Verification trace:

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