Ohmic Audio

12.4 Time Alignment — Theory and Practice

Tiny version

Time alignment tells the close speaker to wait.

Builder version

Measure the distances from the speakers to your listening position, delay the closer ones, then fine-tune so the front stage stops leaning to one side.

Deep version

The later sections still cover precedence, impulse response, and acoustic verification. The first job is getting the tape-measure version right.

🔰 BEGINNER LEVEL: Why Time Alignment Matters

The Precedence Effect

Human hearing localizes sound sources primarily by detecting which ear receives a sound first (interaural time difference, or ITD). The brain uses arrival time, not loudness, as the primary cue for direction.

This is the precedence effect: if two identical sounds arrive at slightly different times, the brain attributes the source to the first arrival. The second sound is perceived as coming from the same direction as the first, as long as it arrives within about 30ms (after 30ms it becomes a separate echo).

In a car: Your left tweeter might be 24 inches from your left ear and 44 inches from your right ear. Your right tweeter might be 42 inches from your right ear and 60 inches from your left ear.

Without time alignment, the left tweeter always reaches your left ear first — everything images left. With time alignment, we delay the closer speaker so both tweeters arrive simultaneously.

Top-down cabin diagram showing different speaker distances to the driver and the need to delay the closer side so arrivals line up.
The basic idea is simple: the closer speaker always wins unless you tell it to wait. Time alignment is how you give the farther side a chance to arrive together.

Measuring Distances

Measure from the dust cap of each driver to your ear position (centered in the driver's headrest):

  1. Use a flexible tape measure or string
  2. Hold one end at the driver's dust cap
  3. Route the tape to your ear position (approximate center of where your ear would be while seated normally)
  4. Record the measurement in inches
Full-system distance diagram with multiple drivers, measured path lengths, and example delay values for a driver-seat tuning setup.
This is the practical workflow: measure every driver to the listening position, pick the farthest driver as the zero-delay reference, then delay the closer ones to match.

Translation box

  • Arrival time means when the sound reaches your ear.
  • Reference driver means the farthest driver that gets no added delay.
  • Impulse response is a timing picture that helps verify who got there first.

Common mistake

People often think time alignment is for every seat at once. In most car-audio builds, it is mainly for the driver seat unless the whole system goal is wider seating balance.

Worked example

If one tweeter is 24 inches away and the reference tweeter is 62 inches away, the closer tweeter waits about 2.81 ms so the arrivals line up at the driver position.

Reference driver: The driver with the longest distance from your ear becomes the reference — it receives 0ms delay. All closer drivers receive delays to match.

Delay_n = (D_ref − D_n) / 13,500 in/s × 1000 ms/s

Example:

Driver Distance (in) Delay (ms)
Right tweeter 62 in (reference) 0.00 ms
Left tweeter 24 in (62−24)/13,500 × 1000 = 2.81 ms
Right midbass 56 in (62−56)/13,500 × 1000 = 0.44 ms
Left midbass 28 in (62−28)/13,500 × 1000 = 2.52 ms
Subwoofer 58 in (62−58)/13,500 × 1000 = 0.30 ms

These calculated values are the starting point. Fine-tune acoustically or with measurement.

🔧 INSTALLER LEVEL: Measurement-Based Alignment

Using Impulse Response Measurements

Calculated delays from tape measurements are a first approximation. Acoustic path differences (reflections, diffraction around seats) mean the actual arrival times may differ from physical distances alone.

REW impulse response procedure:

  1. Position microphone at listener's ear location (clamped to headrest)
  2. Enable one driver at a time in the DSP
  3. Play REW's impulse measurement signal
  4. Identify the time of the first arrival peak in the impulse response
  5. Record the arrival time for each driver
  6. Set DSP delays so all drivers have the same arrival time

Reading the impulse response:

The impulse response shows amplitude vs time. The first significant peak (before any reflections) is the direct arrival. Its position on the time axis, relative to time zero, gives the travel time.

At 343 m/s (20°C):

Distance = time × 343 m/s

If left tweeter peaks at 2.1ms and right tweeter at 4.3ms:

Distance_L = 0.0021 × 343 = 0.72m = 28.3 in
Distance_R = 0.0043 × 343 = 1.47m = 58.1 in
Required delay for left tweeter = 4.3ms − 2.1ms = 2.2ms

This measured 2.2ms may differ from your tape-measured estimate due to acoustic path effects — use the measured value.

Fine-Tuning by Ear

After measurement-based alignment, fine-tune listening:

Test track: Solo voice recording, well-centered. Diana Krall, Johnny Cash, or any recording where the vocalist is clearly intended to be centered.

Method: Play and listen. If image pulls left: right channel has slightly too much delay (or left too little). Add 0.05ms delay to left channel, re-listen. Repeat until vocalist appears exactly centered.

Note: This fine-tuning is for the listening position only. Passengers may experience different imaging — the car is fundamentally asymmetric and perfect imaging at all seats is not achievable with standard stereo time alignment.

⚙ïļ ENGINEER LEVEL: Psychoacoustic Basis and Binaural Processing

Interaural Time Difference (ITD) and Level Difference (ILD)

Spatial perception uses two complementary cues:

ITD (Interaural Time Difference):

ITD_max = d / c = 0.215m / 343 m/s ≈ 0.63 ms

Where d = head diameter (approx. 0.215m). Maximum ITD for sound directly to one side.

Just-noticeable difference for ITD: 10–20 ξs (microseconds).

This means time alignment must be accurate to better than 0.01ms (10 Ξs) for the finest spatial discrimination. DSPs with 0.01ms resolution (common in quality units) provide adequate precision.

ILD (Interaural Level Difference):

At high frequencies (> 1.5 kHz), the head creates an acoustic shadow — the ear facing away from the source receives less energy. Level difference provides directional cue above 1.5 kHz.

Below 1.5 kHz: ITD dominant. Above 1.5 kHz: ILD dominant. Crossover: Both contribute.

Implication: The critical frequency region for imaging precision is above 1.5 kHz — the tweeter range. Subwoofer time alignment affects integration with mid-bass but not phantom imaging. Tweeter and midrange time alignment is what produces the phantom center image.

Head-Related Transfer Function (HRTF):

The ear's pinna (outer ear shape) causes frequency-dependent filtering that varies with sound source angle and elevation. This HRTF provides elevation cues and front/rear discrimination.

In-car audio, HRTFs are modified by the interior reflective environment. Seat backs, headrests, and glass create reflections that partially simulate HRTF elevation cues — which is why careful positioning of tweeters (angled, elevated) can create convincing elevated soundstage without explicit elevation EQ.